Category Archives: 2020

Game of the Year 2020

Welcome to 2021, a year that I will set no expectations for because we all saw how well things turned out in 2020. But before we leave 2020 to rot in it’s rightful place in the universe’s dumpster, let’s bid one last farewell to the worst year I’ve ever experienced by celebrating the games that got me through it.

It took a long time and a lot of effort to get to a place where I could even list ten games I truly enjoyed this year, partly because nothing really stood out to me for most of 2020, and partly because the year itself was a debilitating nightmare that not even video games could distract me from.

HONORABLE MENTION: NBA 2K21

Every year I find myself dipping into the latest entry in the NBA 2K series and pour hundreds of hours into it, and NBA 2K21 is no exception. It’s like this nice bit of comfort food that I can just dip into and have a decent time with my favorite sport as I live out my wildest fantasy of making the New York Knicks a good team. I never participate in the more exploitative modes that try to milk you for money in order to boost your stats or wear a cool hat, but I still have a bunch of fun just running through a couple of years of the franchise mode, adjusting rotations and negotiating contracts and whatnot. There isn’t much else to say about the game otherwise. It’s a solid basketball simulation that manages to consume a lot of my free gaming time throughout the year, which is enough to make it onto this list in some capacity.

10 – RISK OF RAIN 2

Risk of Rain 2 opens up this list not just because I think it’s a good game worth sinking a couple dozen hours into, but because it was one of my favorite multiplayer experiences from this year. It’s one of those games that if I had played it on my own I’d be completely lost thanks to its large levels of inscrutability and ultimately back away from, but when I had some friends acting as my Risk of Rain 2 navigators, I found it to be an overwhelmingly good time.

The game itself is a tough as hell rogue-like shooter that is relentless in how much it throws at you. Eventually you reach a point where you’re inundated by items and abilities that don’t exactly explain themselves well, but thankfully I had people around me to help fill in the gaps. Aside from Risk of Rain 2 just being a really well made game that really shines when you play with friends, the soundtrack is amazing. It’s this incredible progressive-rock soundscape that washes over you while you play it and is quite well done. If nothing else, you should listen to the soundtrack.

9 – SPIRITFARER

When I think about the absolute misery that was 2020, it’s important to try and counteract the constant stream of negativity with the few moments of pleasantness I was able to find. Spiritfarer is a game that granted me some reprieve from the horrible world outside, by making me the shepherd of departed souls that’s been tasked with ferrying them to the other side. While that pitch sounds grim as hell, I assure you that the game itself is a heartwarming experience that provided an incredible story despite dragging in a couple of places.

The real thing that won me over in Spiritfarer was just how it looked. Everything about the presentation is warm and inviting, masking the reality of the task you have to take on as the titular Spiritfarer. You learn about the people you’re ferrying along and who they once were through talking to them and doing side missions on their behalf, most of which were really touching. It’s also got some farming simulation and management stuff in there to help break up the monotony with a different kind of monotony. But aside from some of the slower and less story relevant bits of the game, I think it is just a tremendous title that was well worth the time I put into it.

8 – HARDSPACE: SHIPBREAKER

As an unapologetic lover of games that “simulate” relatively mundane professions, Hardspace: Shipbreaker was a particularly exciting blend of that concept and my love of science fiction. In Hardspace: Shipbreaker, you’re just a person whose job it is to break down and salvage derelict spaceships. Armed with some cool laser beams and a recently added explosive charge, you can really destroy your frame rate with how granular you can get when dissecting these floating behemoths. But it isn’t without some challenge, because one wayward cut could result in a catastrophic explosion that will obliterate much of ship along with any salvageable materials.

What I really enjoy about Hardspace: Shipbreaker is how it takes this fantastical world of accessible space travel and decides to focus on this mundane concept of just being a scrapper rather than some fighter pilot. It reminds me of all of those Star Wars side stories that focused on like a Death Star janitor or something. It’s also just an intensely satisfying and meditative experience to just get in there and slice a ship apart piece by piece while listening to a podcast or something.

7- FUSER

If it wasn’t for Fuser, I don’t think I would ever have discovered my secret ability to create true auditory hell-scapes, and that’s a newfound talent that I’m incredibly proud of. But Fuser isn’t just about making nightmarish song combinations, it turns out you can actually make unlikely mashups of classic and contemporary songs that sound really good. That’s the power of Fuser.

I’ve always been really keen on making music but never really had the understanding nor the desire to dip my toes into the world of being a live DJ. I don’t foresee myself ever buying turntables or any of the other required pieces of equipment to live out that particular fantasy, but Fuser allows me to dip into that world without much prior knowledge needed. It’s an incredibly accessible and instantly fun, albeit a fairly thin experience.

Fuser more of a game I can dip into a couple times a year and have a blast with as opposed to a game I’d spend consecutive days playing, but that’s honestly fine by me. It’s also just a really fun thing to pop on and show friends, although that particular party trick will have to wait until I can once again entertain people. But till that happens, I’m perfectly fine being a DJ for an audience of one.

6 – I AM DEAD

I don’t think many folks actually know about I Am Dead and its particular style of puzzle solving, but I would implore anyone who wants a fairly light and breezy puzzle game to check it out. Despite the overly morose title, I Am Dead is actually a really pleasant game with a heartwarming story. It isn’t overly difficult and doesn’t soak up too much time, clocking in at around 6 hours or so. I found the main puzzle mechanic of peeling back layers of the world to reveal hidden objects to be pretty satisfying without ever wearing out it’s welcome.

It’s also just a really pretty game to behold, with an overall aesthetic that can simply be described as colorful and endearing. It’s a delightful little game that I feel didn’t get its due when it released, something that I’d describe as criminal. I fear that going into more detail about the game would teeter on the edge of spoiler territory, so all I’ll say is that you should absolutely check out I Am Dead if you’re in dire need of a puzzle-based palette cleanser from this miserable year.

5- BALDUR’S GATE III

Baldur’s Gate III is still in early access and will probably remain that way for most of, if not the remainder of 2021, but it still deserves a spot on this list. The game itself launched in a pretty rocky state, but has only been improving as time has gone on. Many of the issues I had with Baldur’s Gate III when it launched into early access have been addressed or are at least on the list for tweaking, which is a great sign for someone like me who has no love for traditional CRPGs.

But therein lies the real reason why Baldur’s Gate III is on my list. See, up until it released towards the end of 2020, I very much wasn’t a fan of CRPGs and would even go as far as to say I had an aversion to them. But Baldur’s Gate III managed to capture my love for Dungeons & Dragons in a way that made me willing to give the genre one last shot. It turns out that all I needed to connect with this genre was a good entry point and Baldur’s Gate III gave me that. Now I’ve got like 4 other CRPGs in the backlog that I’m eager to dig into which might have been a little ambitious if I’m being honest, but it is what it is.

Aside from how Baldur’s Gate III basically opened up a world of new games to me, it’s just really fun even if it plays a little fast and loose with the rules of D&D. They recently patched in an update that fixed a lot of the graphical weirdness and camera issues that I had, but it also invalidated all save files from before the patch, so I’ve been putting off playing through the intro for a fourth time. But I truly think that when Baldur’s Gate III enters a 1.0 release, it will be a titan of a game. Even as is, the game shows so much potential both mechanically and in terms of it’s story. I just wonder how much time I want to put into it between now and then.

4 – CALL OF THE SEA

You awake in the middle of the night to the sound of your old timey telephone ringing. Since it’s like the 1930’s and there’s only one phone in your home, you throw on your nightgown and head into the room with the phone in it. You pick up the receiver and say “Hello?” That’s when you realize that on the other end of the call is no person, but the sea itself, calling to check in on you. Because the sea is in a different time zone they called you thinking it would be okay, but the sea realizes now that they’ve made a poor decision and are terribly sorry for disrupting your sleep.

So Call of the Sea is a really cool puzzle and adventure game that didn’t seem to get too much press, probably because it came out like two days before Cyberpunk 2077 did. But instead of playing that game, you should all play Call of the Sea instead. Call of the Sea is a narrative driven adventure game with some pretty challenging puzzles to solve, as well as a really intriguing mystery that unfolds and only gets wilder as you progress.

When I first launched the game I didn’t think I would end up spending too much time with it, but the story that kept unfolding around me was enough to keep me going to see it through to the end. I don’t really want to go in depth on where the story goes, but the setup is that you’re this woman who is heading to this mysterious island to find your husband and his expedition crew. They went in search of a cure for the mysterious disease that your character is afflicted with, but too much time has passed and your character is worried and decided to just find her partner on her own. Aside from the really captivating mystery of your missing husband and his crew, there’s a very touching love story that’s unfolding around you as your character recalls all the reasons why this man is so precious to her. It’s a very sweet subplot in a game that has a very haunting story, and I think it all comes together pretty flawlessly.

3 – ANIMAL CROSSING: NEW HORIZONS

By the time June rolled around I was pretty sure I hated Animal Crossing: New Horizons, something that came as a surprise to me considering that like the rest of the world, it dominated every free moment I had when it launched. I feel bad for Animal Crossing: New Horizons, because I think a lot of people had that same trajectory with it. The truth of the matter is that it released as one of the darkest moments in human history was unfurling around us, thus thrusting it into this position of being everyone’s go-to game for both escapism and social gatherings. The problem is that Animal Crossing: New Horizons isn’t meant to provide you with long gaming sessions, rather, it’s a thing that’s designed for you to check in with once every few days.

But the pandemic just started an the world entered lock down, leaving us with nothing but the newest and cutest game out there to keep our minds off of the misery outside as well as keeping us all connected. Animal Crossing: New Horizons was a lifeline for so many people, myself included. My partner and had a lot of date nights on our islands in lieu of being able to actually see each other in person, and I’m thankful as hell for that. Animal Crossing: New Horizons is a really good Animal Crossing game, but might actually be better described as the most important game of 2020, similar to how Pokemon GO! was the biggest cultural event of 2016.

Around November I eventually found my way back to my island much to the delight of my little virtual animal neighbors, and I started playing it the way it was intended. Once I got into that rhythm with Animal Crossing: New Horizons, I started remembering why I was so taken with this series in the first place. It’s pleasant and charming and never aims to stress you out. It truly is the best foil to 2020 that we could have asked for, and for that alone it deserves a spot on this list. But because of how well made it is, minus some quality of life improvements that Nintendo just refuses to make for some reason (doing anything that involves the internet), it would have been on this list regardless of a pandemic or not.

2 – TONY HAWK’S PRO SKATER 1+2

What isn’t to like about Tony Hawk’s Pro Skater 1+2? It’s a fantastic remaster of two of the most beloved games of all time that was able to make good on how I remember those titles looking and feeling. From the soundtrack to the levels and challenges, everything was pretty much just how I remembered it, although I did appreciate how they went ahead and aged up the skaters to reflect what they look like now. Tony Hawk’s Pro Skater 1+2 is really just a celebration of two classic titles that despite the efforts of some later and more mediocre entries in the series, never were overshadowed or forgotten.

It only took an hour or so for my muscle memory to kick in, allowing me to pull off some insane lines and combos that I would inevitably fuck up because I tried to do one too many rotations in mid air. You wouldn’t believe it, but I miss that particular brand of frustration. I remember being a younger man and bashing my head against so many of these challenges while listening to the first two minutes of every song on the soundtrack. I usually try to catch myself when something is trying to play off of my nostalgia in such an explicit way, but I fully embraced what Tony Hawk’s Pro Skater 1+2 did to me and I’m much happier for it.

1 – MARVEL’S SPIDER-MAN: MILES MORALES

And here we are, at the number one spot chilling with Spider-Man himself. Marvel’s Spider-Man: Miles Morales is the refined version of its 2018 predecessor, Marvel’s Spider-Man. That game was fantastic, but Marvel’s Spider-Man: Miles Morales is even better. It’s story is emotional and moves along at fast enough pace that you don’t feel like you’re ever losing the plot. It also cuts out a lot of the bloated side content that existed in Marvel’s Spider-Man, but isn’t completely without some truly lame side missions. That just seems to be a pitfall of most open world games though.

But Marvel’s Spider-Man: Miles Morales wastes no time in letting you bounce around the city as a much more competent Spider-Man, circumventing the need to spend upgrade points on essential traversal abilities. From the jump you’ve got way more combat, stealth and traversal options at your disposal, and Miles has his own unique set of upgrades to work with that make him feel very different from 2018’s Peter Parker. The game as a whole manages to skirt the line of being a “Spider-Man living in the shadow of Spider-Man story”, by making it obvious that Miles is his own character and his struggles both as Miles and Spider-Man are just as important and impactful as anyone else’s.

I truly loved the time I spent with Marvel’s Spider-Man: Miles Morales and basically devoured it within the first few days of its release. Marvel’s Spider-Man: Miles Morales is a truly fantastic game that tells its story incredibly well and efficiently, is mechanically rewarding and engaging, and it doesn’t even cost as much as a full priced title. It’s a truly exquisite game that every Spider-Man fan should play. For all of those reasons and more, Marvel’s Spider-Man: Miles Morales is my game of the year for 2020.

Well that’s it I suppose, another year in the books. Thank goodness. I’d like to personally thank you all for sticking with me this year and reading the things I write, it truly means more to me than you could ever know. But that’s it y’all. I hope your 2021 is demonstrably better than 2020, although that can’t be too high of a bar to clear. Thanks again everyone.

Game of the Year 2020: Bottom 5

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This year has seen its fair share of great video game experiences worthy of both praise and recommendation, but it’s also seen plenty of stinkers too. Now this list isn’t meant to imply that these games are the worst games of the year, because they simply aren’t. These are just some games that I happened to play this year that I really did not enjoy for one reason or another. A lot of the games in this list either already have or will eventually see significant fixes and updates that can technically fix a game I had issues with, but some of the games on this list are beyond what a bug fix can rectify.

GHOST OF TSUSHIMA

Ghost of Tsushima isn’t a bad game, but it definitely left me wanting something more engaging and technically proficient than what I played back when it launched. I wrote about my issues with the game back when it released, focusing on a bevy of story issues and just the mechanical weirdness I had encountered during my truncated play time. I found the camera to be the most formidable foe in the game because I would die more often than not due to its ineptitude.

But that was all back in July. I would imagine that after several months of existence some of the rougher edges of Ghost of Tsushima would have been ironed out through patches and updates, ultimately leaving the game in a much better place. This could very well be the best time to jump back in, especially considering that there’s a new cooperative mode where you and 3 other friends fight demons and stuff. That alone kind of makes me kind of want to boot it back up, but considering I lack any friends who have any interest in doing that, I don’t know that I’ll be able to enjoy that particular aspect of the game.

While that all sounds cool, it doesn’t change the fact that I was deeply underwhelmed by Ghost of Tsushima upon release. Unlike most of the other games on this list however, I do think that with a lot of the technical jank fixed Ghost of Tsushima could be a really fun stealth/action title. It’s one of the few games here that I would actually consider revisiting, and that’s kind of the highest honor one can achieve on this list.

CYBERPUNK 2077

Where do you even start when talking about Cyberpunk 2077? I tried to capture as much as I could in a short post a few weeks back, but there’s so much to take issue with in that just thinking about all of my grievances is exhausting. What I will say is that it’s a buggy mess of a game that falls apart the second you look too closely at anything, boasts a introductory sequence that’s just a real slog, contains an abundance of convoluted and confusing menus, and doesn’t even feel especially fun to play. I don’t see the silver lining around Cyberpunk 2077, and I don’t think I ever will.

From lying about mandated crunch for their employees, lying and misleading investors, getting pulled from the PlayStation store, and having a couple of retailers issue refunds for the game, Cyberpunk 2077 has destroyed the goodwill that CD Projekt Red earned throughout their time working on the Witcher series and the GOG platform. It’s absolutely nuts to see how hard everyone turned on the company for their unfinished and unpolished game in just like two weeks, although it seems entirely justified.

The worst part is that even if the game worked perfectly, I still don’t think it would be very fun. People have told me that the game doesn’t really get going until about 8 hours in, which is an insane requirement for someone to endure in the hopes that they might be interested in a game. Aside from that, I don’t think the combat, driving or conversational stuff is that good, at least from the little of it that I saw. Truth be told, I think Cyberpunk 2077 fails to encourage players to stick it out for 30 or 40 hours of gameplay, and it doesn’t sound like that argument ever really gets made.

WATCH DOGS LEGION

It wouldn’t be too much of a stretch to say that I had some issues with Watch Dogs Legion. From its nonexistent story and its horrendous performance on PC, I found that Watch Dogs Legion felt like an afterthought rather than sequel to a very positively received game. Watch Dogs Legion‘s failings are only exacerbated when compared to the previous game in the franchise, Watch Dogs 2, a title that had its fair share of issues but was way more of a cohesive and complete product than this latest release.

I’ll stand by the assertion that the core gameplay mechanics are still solid and rewarding, but outside of that, Watch Dogs Legion offers nothing new or interesting aside from the incredibly lame ability to “recruit anyone” in London to fight alongside you. The mechanic sure sounds nifty, but in practice it’s an incredibly tedious element of the game that I eventually abandoned because you would just get cooler playable characters after completing story missions anyway. The incentive to hunt for NPCs with unique and helpful characteristics and abilities vanishes under the weight of being upstaged by story progression unlocks, and by how monotonous it really is. It also feels so firmly rooted in the traditional “Ubisoft open world formula,” that it’s just a complete bore to progress through.

Watch Dogs Legion just feels like a complete misfire of game that failed to not only capitalize on what made Watch Dogs 2 so successful, but completely abandoned any attempt at providing a cool story or characters in favor of a stupid mechanic that wears out its welcome after a few hours. If I haven’t made it obvious enough yet, I really did not enjoy Watch Dogs Legion. It’s yet another example of a game that even if it was technically solid, it would still be an absolute slog to play through.

MARVEL’S AVENGERS

Unlike my severe distaste for Watch Dogs Legion, I don’t actively dislike Marvel’s Avengers. In fact, I’m not even that disappointed with the game because I never really had any expectations for it. For as long as I’ve wanted a good, big-budget Avengers game, when the news came out that it would be a live service game I kind of just wrote it off.

The weirdest part is that it’s a pretty decent game, but by being shoehorned into this business model that just didn’t make sense for the license, it just felt overly convoluted and messy. Unlike other games on this list, I can’t really point to one aspect of the game that’s particularly bad. The issue is that there’s nothing particularly good or bad about Marvel’s Avengers aside from being a really weird and oddly dated feeling live game. I would love a great Avengers game, but this isn’t it.

The main issue is that the game is constantly undermined by being a live service product. With an abundance of tiered gear and currencies, Marvel’s Avengers, despite having a decently interesting superhero story, was diluted by being a licensed game that tried to offer a lasting live experience for players without being able to get too wacky with the property. None of your gear was visually represented thanks to Marvel being overly precious about their characters, which led to a bunch of invisible items that just made numbers in the background go up. The whole game just seems like it was designed by committee, which left it feeling bland and forgettable.

SKATER XL

I was so excited for the return of skateboarding games, especially when you had some of them trying to illicit the same warm feelings people got from the Skate series. Skater XL seemed like the game that would bring that pseudo-realistic style of skateboarding game back from the dead, but it was more of a wet fart than anything else.

Skater XL allows you to ride a skateboard and do all sorts of tricks and grinds, albeit in a messier way than expected. The thing that made the Skate series so approachable was the way it made you feel like you were being technically adept while not having to really do that much. All of your tricks were done with the right analog stick and maybe another button for a grab or spin. It was simple but required a level of competency to pull off more advanced tricks and lines.

Skater XL on the other hand ditches that approachability in favor of turning your controller into a game of Twister for your fingers. The controls are overly complex and require you to do unnatural things like steer with the triggers. It never felt intuitive or satisfying because for every successful trick I managed to pull off, there was a trail of blood and viscera behind me that chronicled my failure. Also, there’s not a game in Skater XL. There’s no story or challenges or anything that could qualify as connective tissue. It’s just a level select with some overly convoluted controls at this point.

To be fair though, it’s been a while since I’ve actually checked in with the game, so maybe they’ve incorporated more usable control schemes or some sort of progression system. But I genuinely have no interest in returning to the game after the bad taste it left in my mouth when it launched.

DISHONORABLE MENTION: SHITTY CONSOLE LAUNCHES

That’s right motherfuckers, I took some time off of complaining about this, but by far it’s my least favorite trend of 2020. I have been inducted into a miserable realm of the internet where I’m following people who track the stock of consoles in several different retailers. You might be thinking, “Ari, that sounds insane,” and you’d be absolutely correct in that thought. It’s beyond wild that I’ve had to invite a bevy of Twitter notifications to light up my phone whenever they please just for the opportunity to spend $500. It’s maddening.

Overpriced bundles, terrible website infrastructures, scalpers and bots, all of it is absolutely infuriating on its own, but nothing is more annoying than these Twitter accounts trying to capitalize on this sudden surge in followers by constantly trying to build a community around people who are being fucked over by retailers. I don’t want to watch a live stream of you checking retailer websites so you can announce a stock drop. I get it, you gotta capitalize on whatever little slice of fame you can get, but when all I want is to know when I can be disappointed by Best Buy, getting notifications for YouTube videos, shouting out other people who are tracking the same shit, and the really bad memes, are all things I could do without.

I don’t mean to go so hard at these people who are just trying to help, cause I do appreciate their efforts. But every tweet that isn’t about stock availability is just another reminder that what I am doing is crazy, and it didn’t need to happen. Look, I know that COVID went and fucked up everything this year, especially manufacturing and shipment lines, but despite knowing how constrained stock was going to be, neither Microsoft or Sony did anything about it. Because at the end of the day, seeing an entire company’s stock of their console vanish with seconds is great news for them.

You could write this off as me being salty about not being able to get my hands on one of these new funny looking boxes, but it’s been genuinely demoralizing to finally be in a position in my life where I can actually afford to drop half a grand on console, but I just don’t have the chance to. Every logical part of my brain screams at me when I feverishly click on links to retailers because deep down I know that there isn’t really anything to play on these boxes. I also know that eventually I will be able to get my hands on one of these things, but that’s the power of consumerism I suppose. I don’t need this thing, I just really want it. Unfortunately the whole release of these consoles has been a colossal shit-show from top to bottom, which is hands down my least favorite gaming trend of 2020.

This has been day 3 of The Bonus World’s Game of the Year 2020 coverage. Check back tomorrow for our final list about video games from this year.

Game of the Year 2020: The Trends I Missed

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One of the things that’s been most interesting to me this year has been seeing the types of games that unexpectedly exploded in popularity. The fanaticism around games and forming communities around them isn’t anything new, but in more typical years it was inevitable that someone might miss a big trend or event in gaming. Considering I’ve been home most of the year however, I was able to see these wild surges in popularity among various games and genres in a way I hadn’t ever been able to before. Despite all of this, I feel as if I’ve dipped into several of these big trends that took the internet by storm this year and managed to bounce off of most of them.

Like I said, big trends in gaming is nothing new. A few years ago PLAYER UNKNOWN’S BATTLEGROUNDS exploded onto the scene and thrust the battle royale genre of games into the spotlight. There was Overwatch, which arrived in 2016 and prompted every company in existence to try and take a stab at the hero shooter genre, with newcomers like Valorant releasing this year and finding an audience, while games like Hyper Scape, Rocket Arena and Crucible, all games which released within two months of each other, failed to gain any traction. Hell, even years ago we saw plenty of MMO’s get conjured into existence in an attempt to dethrone World of Warcraft… which definitely happened.

My point is that these big trends in gaming isn’t a new phenomenon in the slightest, but it’s been particularly interesting for me to watch them come into existence and either explode in popularity or just fizzle out into obscurity. So I’d like to highlight a few big things that happened in the game-o-sphere in 2020, and discuss how they all managed to pass me by.

DREAMS

February sure feels like an eternity ago, but we definitely had one of those this year. In fact, I was still working in my office, a concept that feels completely foreign to me now. But back in February, specifically Valentine’s Day, Dreams, the wildly ambitious game creation tool by Media Molecule, released on the PlayStation 4 and was immediately heralded as an impressive piece of software more so than being a fun game. It allowed creators to make their own games within the Dreams engine, either through hand crafting everything themselves, or collaborating with other users by importing their characters, settings, objects, sound effects and more into their projects. Dreams smartly credited every piece of content used to the user who made it, which encouraged a sense of community that seems to still be active to this day.

Above is a video from the YouTube channel, Ugly Sofa Gaming, a channel that highlights interesting and fun creations from the game. They’re still cranking out videos about the nearly year old game on a regular basis, which to me seems like a great sign for the entire Dreams community, although recent reports make it sound like the player base is waning. I watched a couple of their videos that highlight the cool games people are making in Dreams, and it’s genuinely impressive what people are doing with that engine.

But despite adoring what people were making and mostly catching the wildest things on my Twitter feed, I knew that Dreams wasn’t the game for me. I don’t have the patience to build a game in the slightest, and shelling out the cash for the ability to peruse the user generated stuff back when the game released just didn’t seem like a great investment to me at the time. But looking back on it now, I feel compelled to check in on it and see what people have been able to do in the past 10 months since it released. But it would be absolutely wild of me to, while writing this article, open up a new tab, navigate to Amazon, notice that Dreams is on sale, and purchase it, right? That would be ridiculous…

Let’s move on.

AMONG US

I don’t know exactly when Among Us exploded in popularity, but it sure dominated most of the internet and continues to be one of the most watched things on Twitch. It’s kind of wild when you think about it. Here’s a game that released in 2018 for five dollars and didn’t really make an impact, only to find incredible success two years later during a pandemic. Among Us is another one of those Mafia or Werewolf type games where one or more people are the bad guys who are trying to carry out their grim mission in secret, while the rest are innocents who need to figure out identities of the bad guys while also working towards their own goals. The formula is tried and true, but I’ve never really seen one of those games be as popular as Among Us is.

From what I can surmise, Among Us being as cheap as it is, available on the platforms it is, and existing in a world where people are in their homes more often than they aren’t and are desperate for human contact, were really the things that made Among Us a go to game for so many people. Streamers also helped immensely and that cannot be overstated. For as shitty as 2020 has been, it was the perfect set of circumstances for a game like Among Us to garner such a massive following. It did so well that the developers just straight up canceled the planned sequel they were making and decided to weave the new content into their surprisingly popular game.

Now to inject myself into this story. I played a little bit of Among Us with some friends on a handful of occasions, and it was fun. But it never felt like more than a novelty I could dip into once and a while, and certainly not at the rate that some other people play it. Aside from not falling head over heels for it, there was something weird to me about playing a game solely about lying to people you know. Now, I’ve played plenty of Jackbox games where I have to lie to people, but for every one game in a pack that’s about duping your friends, there’s four others that are about just knowing trivia or being the best at non sequiturs. Whenever the pressure of lying to people was too much, you could just pivot to something else. But Among Us is solely about lying to your friends and playing mindless mini-games. It’s fun for sure, but it just wasn’t something I wanted to play for more than a half hour at a time.

FALL GUYS

I think we kind of all knew that Fall Guys was gonna show up on this list. Fall Guys isn’t a bad game by any means, but it just felt like a game with no lasting appeal, which I mentioned back in the Gut Check from when the game released in August as a “free” PlayStation Plus game. The long and short of it was that to me, Fall Guys was kind of a one-note experience. Yeah seeing the little bean-people flop around and get flung through the air is fun, but it truly felt like a game that relied more on luck than anything else.

Although it’s in my favorite genre of games, the “wacky physics” genre that is, something about Fall Guys just never clicked for me. I think it has a lot to do with the fact that it is a battle royale, a genre of game that I am truly tired of at this point. I exhausted my desire to play any battle royale back when PUBG was big, and never really felt compelled to play another game like it. While Fall Guys doesn’t have any guns or anything and is a different kind of battle royale altogether, it’s still a game solely about competing with other people, something that I feel less inclined to participate in as I get older.

There’s nothing wrong with Fall Guys, I actually think it’s a really neat concept. But in addition to me not digging the genre, a lot of the wind was taken out of my sails by the fact that the first game I managed to play, I won. That’s not some weird flex or anything, it’s just something that happened thanks to an accidental, yet helpful glitch. Within ten minutes of booting up the game for the first time, I was able to clinch a victory, effectively closing the book on my desire to keep playing. But Fall Guys is still going strong with consistent support and updates. In fact, their latest season released earlier this month and seems to be fairly popular, so good for you, Fall Guys.

BLASEBALL

Man, for a hot minute there I really tried to get into Blaseball but just could not. Blaseball is essentially fantasy baseball in a fantastical league where rules can change, referees and players can randomly die, super powers can be bestowed, and all manner of weird shit can happen. None of it is visually represented however, which might sound like a drawback, but it allowed for people to fill in those gaps for themselves with a ton of fan made artwork. In Blaseball you pick a team to follow based on little more than their name and home city. I chose to follow the New York Millennials, a team with a player named Dominic Marijuana on it. They were good… I think.

Honestly, the biggest drawback to Blaseball is how inscrutable and inaccessible it can feel to new spectators. For instance, I just checked the site for the first time in months, and all of the teams now have different names (UPDATE: They’re back to “normal”). I don’t have any idea what just happened, but apparently the weird “sport” got even weirder somehow. I’m having a really hard time describing what the fuck Blaseball actually is, and that’s kind of the problem.

Despite my best efforts to understand this spectacle, I eventually just bounced off of it because of how difficult it was to wrap my head around it. According to the website, I have 22,000 dollars, 6 tickets, and 10,000 peanuts. I can vote on rule changes with tickets, I can buy certain buffs and bet on the outcome of games with money, but I have no earthly idea what the peanuts do. I can however, purchase more peanuts with the money, or buy a squirrel to help me eat the peanuts. It’s shit like this that a wiki could probably explain pretty well, but I just do not have the desire to do that. But hey, Blaseball is going strong I suppose.

HADES

At some point this year, everyone really hopped aboard the Hades train and never got off. Well, maybe they got off, but not in a way that makes sense with this particular train-based metaphor. Look, Hades is an incredibly fun and well made rogue-like action game that has a bunch of different elements from other genres weaved into it, all of which it does incredibly well. It also blends storytelling with the rogue-like genre in an apparently very successful way. It’s a very good game by all accounts… except for maybe the people who just aren’t into rogue-likes.

While everyone was getting incredibly horny for the cast of Hades, I was giving it an honest shot in an attempt to see what all the fuss was about. And hey, even I thought it was good. The problem is that these kinds of games just don’t have any real staying power for me. I don’t find the rinse and repeat nature of rogue-likes to be particularly rewarding, so even in the face of a tremendous one of them like Hades, I still would rather just play a more traditionally structured game.

This has been day 2 of The Bonus World’s Game of the Year 2020 coverage. Check back on Thursday for another list about video games from this year.